Interesada en leer sobre el peligro del ascenso de la extrema derecha o simplemente te apetece un héroe diferente?

La trama de mi novela – Lucy E Hawksmoor, la autoridad sobre todas las cosas árabes, encuentra el presente rompiendo en el pasado, ya que grupos de extrema derecha tratan de detener su búsqueda para encontrar el lugar de descanso final de Boabdil, el último Rey de los Moros. Conoce a la misteriosa y atractiva Gloria cuya familia afirma haber guardado el secreto de su ubicación durante 600 años. Lucy, inconsciente del peligroso mundo al que está entrando, recibe amenazas de muerte y luego un estudiante musulmán es asesinado. Ella está sumida en un mundo de pesadilla, sin saber en quién puede confiar. ¿Es Gloria quien dice ser? ¿Hasta dónde irán sus enemigos para detenerla? A medida que los disturbios arrasan Granada, la búsqueda de la tumba de Boabdil por parte de Lucy se convierte en una bomba de tiempo política, que pondrá en peligro la vida de todos los involucrados.

Nací en Manchester y estudié inglés y drama allí antes de entrar en el mundo de la educación que me puso por un tiempo antes de que lograra escapar a Madrid donde vivo y trabajo. Paso la mayor parte de mi tiempo escribiendo, así como leyendo ampliamente, caminando, a menudo sin rumbo, alrededor de las laberínticas calles de los barrios de esta maravillosa ciudad, tocando la guitarra, viendo gatos y cocinando. Mi primera novela, «Deje que los muertos tengan la mano», me llevó tres años investigar y escribir. Pasé mucho tiempo en las mágicas calles de Córdoba, Granada, Sevilla y Zaragoza leyendo sobre todo árabe y visitando muchos lugares y edificios hermosos. Bebo mucho vino tinto y me encanta escuchar música árabe y guitarra flamenca mientras escribo. Gracias por visitar mi página!


AMAZON – worldwide –


In the USA

In New Zealand

In Australia very soon at Dymocks

My Publishers –


My novel LET THE DEAD HOLD YOUR HAND will be published

on Monday February 28th

put the date in your diary, on your calendar, on your fridge, on your cat’s bowl – tell Alexa and Siri to remind you! Tell everyone!

Available from Amazon (Worldwide) The Book Depository (Worldwide)

Waterstones WH Smith Barnes & Noble (USA) 

Dymocks (AU)  Wheelers (NZ) Foyles (UK) and from my publishers – @austinmacauley

Why I Wrote Let the Dead Hold Your Hand

When I first moved to Madrid in 2017, I decided to do some travelling around Spain. I visited Cordoba, Granada and  Zaragoza and I was completely enthralled by the architecture. The more I read about the 800 years that the Moors of Al-Andalus spent in Spain, the more I was fascinated by them. I decided to learn as much as I could about their culture, history and their writings, particularly their poetry. Back home in Madrid I was also becoming aware of the rise of the far right both in Spain and across Europe. I needed to understand the background as to why people were turning in certain areas to such extreme politics and racist views. I read as much as I could about the Spanish history from the time of the Reconquista to the civil war of 1936-39. I already could see what was happening in Britain post the Brexit vote and the problems it was causing for minorities and foreigners on those shores. I then came across an excellent online newsletter called opendemocracy – –  and was staggered to learn how quietly and insidiously the far right were spreading their tentacles across Europe, often under the guise of nationalism. At the same time, I read a book that was to change my life, The Moor’s Last Stand by Elizabeth Drayson. It tells the story of Boabdil the last ruler of Granada, a story to quote the blurb ‘of intrigue, treachery, cruelty, bravery and tragedy.’ His defeat at the hands of Isabella and Ferdinand, the Catholic Monarchs, has ‘reverberated powerfully down the centuries.’ Indeed it has. This book is not only an excellent introduction to the last days of Muslim Spain, but it was also the inspiration for my novel. I realised I just had to write about Boabdil and try to imagine what might have happened under other circumstances and more so, through my protagonist, Lucy E Hawksmoor. 

There are flashbacks to set the scene, though most of the story is set in the 21st century. I wanted to reflect how there are people in politics today in Spain who want to enact a new Reconquista – forcing out those the far right see as non-Spanish, including Muslims, Jews, homosexuals, gypsies as well as limiting or preventing freedoms from abortion to gay marriage. And what better way than to stir up the hornet’s nest than suggesting what might happen if the history books are wrong – if Boabdil did not leave Spanish shores – if his body could still be on the mainland and how that might annoy those racists who fear a new rise in appreciation of all things Muslim should his resting place become a shrine.

For Isabella and Ferdinand to suggest they were claiming back Spain for the Spanish is ridiculous. The Moors had lived in Spain for 800 years – they were Spanish. It was simply a desire for power – using religion as an excuse.

There is a pettiness in racist behaviour. And Lucy experiences it first-hand – and how that pettiness can become lethal when these people’s ideology becomes all consuming. But the story hopefully also raises awareness that this movement of the far right is widespread across Europe. Often little reported in the U.K. press. For example, how many in the U.K know how strong Vox, a far-right party, are becoming in the Spanish government? How they are currently propping up the conservative PP party in Madrid.

But in the end, I also wrote it because I wanted to write a book that reflects all that is wonderful about the 800 years of the Moors in Spain, and to introduce a new kind of hero, Lucy Hawksmoor, whose life is turned upside down by events beyond her control. And through her I want the reader to experience all that is good about Spain, from the food to the architecture to the ordinary people, as well as showing how history does matter and we need to learn from the past to avoid making the same mistakes. It is a mystery, a thriller, a political commentary and at times a love story. I have already started the sequel.

 I hope you like Lucy and I hope you too will let the dead hold your hand as, with her, you follow her quest for the truth and to stand up for what is right.



The Moor’s Last Stand presents the poignant story of Boabdil, the last Muslim king of Granada. Betrayed by his family and undermined by faction and internal conflict, Boabdil was defeated in 1492 by the forces of King Ferdinand and Queen Isabella of the newly united kingdoms of Castile and Aragon. The Christian victory marked the completion of the long Christian re-conquest of Spain and ended seven centuries in which Christians, Muslims, and Jews had, for the most part, lived peacefully and profitably together. Five centuries after his death, Boabdil continues to be a potent symbol of resistance to the forces of western Christendom, and his image endures in contemporary culture. Based on original research in the region by a leading historian of Granada, this book presents a vivid account of Boabdil’s life and times and considers the impact of his defeat then and now.’


Elizabeth Drayson specialises in medieval and early modern Spanish literature and cultural history, and has a particular interest in the Arabic, Jewish, and Christian cultures of medieval and Golden Age Spain, as well as in the relationship between medieval literature, art and film. Her publications include the first translation and edition of Juan Ruiz’s Libro de buen amor to appear in England (Everyman edition), as well as essays and articles on the Libro de buen amor, Berceo and the Poema de mio Çid. She is the author of The King and the Whore: King Roderick and La Cava, The New Middle Ages series, (London and New York: Palgrave MacMillan, 2007) which charts the reception of the legend of Roderick, last Visigothic king of Spain. Elizabeth has published several articles on the legend in medieval and early modern chronicles and early art, as well as giving numerous conference papers on the subject. Her monograph, The Lead Books of Granada, Early Modern History series (Basingstoke: Palgrave MacMillan, 2013, paperback, 2016) evaluates the cultural status and importance of the polyvalent, ambiguous artefacts known as the lead books, which were discovered on a hillside in late sixteenth-century Granada and embody many of the dualities and paradoxes inherent in the racial and religious dilemmas of Early Modern Spain.

Her book The Moor’s Last Stand: how seven centuries of Muslim rule in Spain came to an end (London: Profile Books, 2017) charts the life and times of Boabdil, last Muslim king of Granada, and has been reviewed in The Times, Sunday Times and The Guardian. It was one of the Times and Sunday Times Best History books of 2017, and appeared in paperback, and also in Spanish translation, in 2018.

Elizabeth’s latest book, Lost Paradise: the story of Granada (London: Head of Zeus, 2021) is a history of the city of Granada from prehistoric times to the present.’

Text in quotes taken from